Tuesday, February 4, 2014

Comics Recap #6: Event Fatigue

This is a follow-up to yesterday's recap post.  When I was on Goodreads to update my status on one of those graphic novels (Fear Itself, maybe) I saw a review where someone was saying they might have liked the book more but they were just so worn down from one event series after another that they were getting numb from the whole thing.  And I could definitely see that, especially since I read a lot of these in close proximity.

When you think about it, you could do these like in the Bible:  And yea Civil War beget Secret Invasion which beget Siege which beget Fear Itself, and so on...

Another part of it is a lot of these feature the same kind of stuff.  In a prior post I talked about event comics overusing parallel universes and time travel.  The ones I mention above don't really feature that.  Instead they rely on the idea of heroes beating up heroes.  Civil War involves a civil war between superheroes with Iron Man on one side and Captain America on another.  In Secret Invasion Skrull shapeshifters take the form of various heroes, which of course leads to in-fighting among the heroes.  In Siege Norman Osborne leads a group of heroes to attack Asgard and is opposed by Captain America and the Avengers.  And in Fear Itself the evil fear god's minions possess the Hulk and Thing and others, who of course have to be opposed by other heroes.  So you see the pattern there?  It's hard to blame anyone who gets sick of that stuff.

Now granted as a writer there are a few things I like to use again and again.  If you ever get the chance to read all my books (which you should do) you can note a couple of plot elements I use over and over again.  Maybe that's only natural for a person to gravitate towards one particular way of doing or seeing things.  But then I'm only one person whereas Marvel has a bunch of different writers, so you think they might not have this much conformity.  But then a lot of that happens in publishing.  If kids like one vampire series, then every publisher will scramble to put out one of their own.  Or they buy up werewolves, mermaids, angels, or whatever they think will be the next big thing.

What they don't think about is as a reader I don't necessarily want the same thing over and over again.  On my entry about reboots, I was saying it would be nice if they did something NEW, to which Tony said but if they did something NEW I'd probably hate it.  Maybe, maybe not.  It depends largely if it's something that makes sense or if it's something dumb, ie ninja butlers.  I'd probably have more respect for you at trying something new than if you just regurgitate the same old thing.

Anyway, in regards to series, sometimes it's good to take a little break from these big events.  One of the things I liked about Star Trek:  Deep Space Nine was that even though they had this involved story about a war with the Dominion, they'd still once or twice a year throw in a funny Quark episode or something.  Which is a good thing because it breaks up the monotony of the main story.  It gives people a chance to catch their breath before they're plunged back into the main story.  In the culinary world you call it "cleansing the palate."  It's a lot easier to do in comics that run monthly (or more frequently) than for instance when you're writing a series of superhero novels because each novel is essentially an event unto itself.

Really I think what the person on Goodreads was complaining about was there wasn't enough time between these events so he felt like he was being launched from one to another like a trapeze artist.  In my own reading it probably would be good to mix things up a bit, maybe switch more between Marvel, DC, or any other ones.  It would seem less monotonous that way.

4 comments:

  1. Good point Pat. If Marvel and DC didn't do yearly events it would probably be less monotonous,

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  2. I got event fatigue pretty quickly when I picked up collecting again briefly in the early 2000's. In the 80's, when I was actively collecting, I recall DC had Crisis on Infinite Earths, which was around the same time as 'Secret Wars' from Marvel. I collected both (Crisis was too complicated for me, I preferred the simpler, 'let's all just agree to punch each other' spirit of Marvel) and loved how each individual book dealt with their heros being gone for a while.

    I hadn't seen anything like it before, well, there was the short mini-series from marvel where the Collector made everyone fight, or something, I forget now.

    Anyway, then there was Secret Wars II, and since it took place on earth, there were tons of crossover stories and I got lost in trying to keep up, I eventually quit trying to collect the stuff.

    I decided I didn't like it very much, it screwed up my ability to read an enjoy my regular titles.

    Then I quit everything. I came back during the planet hulk time frame, whenever that was, and was pretty excited about the WW Hulk stuff, I got all the crossover comics that came with that, and for the most part, felt like that was that.

    But then, just as I was still getting the WW Hulk: Aftermath comics, the Civil War event started. I got so mad that I quit again. I refused to spend $600 dollars a month for another event related thing.

    So, despite the fact that I actually enjoyed the one event that I bought everything for, there was no way in hell I was going to make that sort of commitment forever. I want to read the titles I like, and I'm fine if they have year long story arcs, but keep it all self contained.

    On a side note, that's why the X-Men went from my absolute favorite comic in the early 80's to my absolute most loathed by the late 80's. They became so heavily involved with other titles that you could not follow a storyline at all unless you purchased X-Force, X-Factor, or X-files, whatever. I'm just not that prepared for all that.

    Sigh. I guess I'm done.

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  3. The thing about all these events and fans complaining about them all the time...You're absolutely not required to read them, either the events or all the tie-ins. The companies love them because it makes scheduling a few months of comics a little easier (except for all the coordinating, probably), knowing exactly what the story is going to be about. I'd actually call the events themselves the "cleansing the palette" moment, from the grind of cranking out a new issue every month in an era that expects an ongoing story of some kind for years. For editor, especially of a book that has a hard time keeping creators onboard, this is probably the best possible news. And it creates opportunities to rebrand characters, launch all-new series, try things that might otherwise have been impossible...I don't see the problem with event books, basically, even if they come around every year like clockwork. Not all of them are going to work, but then, nothing is ever guaranteed anyway, except Seth and his faxes. Or something like that.

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    1. Actually I think these events are just a cash grab, which is why they want to spread it as wide as possible. I mean look at something like "The Blackest Night" that had like 100 issues among all the various titles. If someone were to have spent $3-$4 to buy them new that's $300-$400! Whereas that person might ordinarily buy one or two titles. it's like these stupid movies where they split it into 2-3 parts.

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