Reading Comics 220 "Spotlight Nation...and a sort of Batwedding"

Picked up one of Marvel's Free Spotlight comics with Dan Slott's Fantastic Four on the cover, with four pages from this month's relaunch.  There's been a lot of talk that Marvel took the FF off the board as a bargaining chip (seems to have worked) to get the movie rights back, dating back to Jonathan Hickman's Secret Wars, where Reed Richards and Doctor Doom had their most epic showdown to date.  Since then Johnny Storm and Ben Grimm have appeared in various team books.  And of course it's Johnny and Ben who appear in these preview pages.

There's also Gerry Duggan offering a look at Infinity Wars, which apparently will feature an Infinity Watch of heroes and villains protecting the various Infinity Gems.  Clearly calculated as an event to follow on the heels of Avengers: Infinity War at the movies.  Then there's Extermination, another X-Men event; a page detailing various Miracleman collections, including a Neil Gaiman volume called The Golden Age perhaps in the hope more material will eventually follow; various other one-and-two-page ads, including for Charles Soule's Return of Wolverine featuring the infamous new flaming claws; four pages of Cullen Bunn's Asgardians of the Galaxy, which is another cue from the movies, borrowing elements from Thor: Ragnarok; and finally four from Kelly Thompson's West Coast Avengers, which features both Hawkeyes and land sharks that do not try and pretend to be delivering things.

DC Nation #0 (DC)

Besides looks at Brian Michael Bendis's Superman and Scott Snyder's Justice League, this quarter-priced special released just before Free Comic Book Day this year featured a wicked Joker story from Tom King in anticipation of the Batwedding, in which the Clown Prince breaks into someone's home and he waits there, along with the poor guy, for an invitation.  It's as perfect a representation of Joker's twisted logic and sense of humor as I've ever seen.  A lot of fans swear by Alan Moore's Killing Joke, but I think that one speaks more to Moore's proclivities than it does Joker's.  King's Joker had a great spotlight in "War of Jokes and Riddles," in which he tries to figure out why nothing seems funny to him anymore, before realizing that Batman gives him bold new context, a challenge that will never get old.  Here he's just free to terrorize the poor guy, using his singular logic.

Batman #50 (DC)

The main event, though, the issue that promised the actual Batwedding, angered a lot of fans because the wedding...doesn't happen.  Instead, it proves an elaborate setup to the events of "I Am Bane," the earlier arc where Batman prevented Bane from attaining his Psycho-Pirate happy ending.  Holly Robinson, who has proven so crucial to King's Catwoman, turns out to be a stooge of Bane, and whispers in Catwoman's ear doubt about what a happy ending would do to Batman.  So the issue is instead really another caption character study of Batman and Catwoman's perspectives.  No one has done that sort of thing as well as King since Jeph Loeb's early Superman/Batman. 

Eternity #2, 4 (Valiant)

I went back and read #3, which I'd caught earlier, too, and that turned out to be a good idea, because it reads better in context, obviously, and is just a pleasure to read again in general.  Eternity is the fourth volume of Matt Kindt's brilliant Divinity suite, in which Kindt reimagines the idea of the omnipotent hero previously featured in Moore's Watchmen under the guise of Dr. Manhattan, this time as a Russian cosmonaut and his colleagues, one of whom became his wife and the other a foe, while he inspired a fanatic who has proven far more troublesome than he could've possibly imagined.  Eternity was pitched as beyond imagination, so its ending is apropos, the true consequences of Abram Adams's transformation far more wild than anything he discovers from the world that changed him forever.  Hopefully there's a fifth volume of this stuff.  The ending of this one certainly suggests that the story continues, anyway...

The Flash #50 (DC)

Josh Williamson continues his Rebirth buildup of previous lore by concluding the "Flash War" fight between Barry Allen and Wally West amicably and bringing back the classic Bart Allen in his classic Impulse costume.  Howard Porter's career renaissance continues, and that's great to see from a reader who well-remembers his JLA heyday.

Reading Comics 204 "Fifth Trip 2017"

American Gods #2 (Dark Horse)
Amazingly, this adaption of the Neil Gaiman book still really hasn't reached the actual concept of the story.  Although Spider does drink an amazing amount of mead, and beats up a rather tall leprechaun.

Bane: Conquest #1 (DC)
Chuck Dixon and Graham Nolan reunite and return to the chronicles of Bane.  The results may baffle readers who are less familiar with Vengeance of Bane (parts 1 & 2) and more "Knightfall," Dark Knight Rises, Tom King's recent "I Am Bane," or any manner of terrible Bane appearances over the years, but they're entirely in-character, especially, again, for the Bane of Vengeance of Bane (parts 1 & 2).  The luchadore mask Nolan gives Bane for this comic is a fun little nod to the fact that the character is, technically, Latino, even though that never seems to come up other than his base of operations and/or origins.

Batman #21 (DC)
The Flash #21 (DC)
Batman #22 (DC)
Parts 1-3 of "The Button" see Tom King and Josh Williamson collaborate on a sequel to Flashpoint (the importance of this classic story to yours truly is chronicled in the early period of this blog) that also helps set up later DC-wide storytelling first introduced by DC Universe Rebirth.  Very, very good storytelling here.

Blue Beetle #8 (DC)
Giffen/DeMatteis have apparently taken over the title as of this issue, and bring a strong Larfleeze feel to the proceedings.  I loved the original Jaime Reyes series post-Infinite Crisis, and so it's great to read his Blue Beetle again.  The big draw for the issue, however, is that the magical scarab that has granted him powers (and/or de facto Iron Man suit) all these years has been taken from him.  So he and Ted Kord (the second and most famous Blue Beetle) make a bold decision: Jaime will now, even if temporarily, revive Ted's classic costume.  Yeah!

Divinity III: Stalinverse #4 (Valiant)
Matt Kindt will be moving on to Eternity, a sequel rather than continuation to Divinity, so this is the conclusion of this particular vision.  And I think, having read it twice, he came up with a good one:

"This world you've built may be real.  But you know it is not true.  You read books when you were younger.  Just as I did.  Do you not remember?  We are similar, you and I.  We were not forced to read.  We were encouraged.  But my adoptive parents raised me.  Treated me as their own.  They gave me books.  Science fiction was my favorite.  I read everything they gave me.  It wasn't until much later that I realized what they'd really done.  My parents couldn't force me...or anyone to be good.  Just as the Soviet Union cannot.  All they could do was present me with their example.  And with stories.  With writing.  With ideas.  Through those books I learned the danger of power.  I learned of the terrible effects of violence and conflict.  Of the unending cycle of war that we should be working to break.  And I learned the importance of love and to be loved.  Earth...humanity?  They are our children, Kazmir.  They can't be forced to learn.  They must learn by example.  They must be taught with stories.  With experience.  We have the power of gods, Kazmir.  Yet you choose to live a parasitic life inside Myshka.  And you choose to obey a small-minded oligarch.  But there is an entire universe out there for you.  Worlds to see.  Galaxies to explore.  Just like in the books we read when we were younger.  I am sorry for what happened to us out there...in the unknown.  I am sorry I did not bring you back when I returned.  And I am sorry that Myshka broke your heart.  I understand why you came back for revenge.  What I don't understand is why wouldn't you stay out there?  Why wouldn't you go further?  Why wouldn't you want to see more?  Our conflict will have a winner and a loser.  That is the nature of the game.  But why should we confine ourselves to the game?  Ti these pieces?  To this artificial boundary?  To Earth?  When there is the unknown all around us?  Waiting to be explored?  I tell you all of this, Kazmir, not to "win."  But to set you free."

That's the best argument an hero has probably ever made to their enemy, in a comic book.  It's an argument that can only be made in a comic book, I think.  It's a perfect synopsis of superhero logic, as has Divinity been from the start.  I don't know why Divinity hasn't become more important among comic book readers.  It's the Watchmen of intellectual superhero storytelling.  It's surely one of the most fascinating comics I've ever read.  Every issue has someone involved in creating the issue provide commentary.  Most of it is somewhat hugely overblown praise. Most of it seems to miss the point.  It's not just how it's executed that makes Divinity great, but its ideas.  I'm hugely glad to have read along.  And to see where Kindt goes next.

Planet of the Apes/Green Lantern #3 (Boom!/DC)
This latest mash-up is about as good as Green Lantern/Star Trek (which is to say, good), but it's the art I came to see.  Omega Men's Barnaby Bagenda, to be precise.  That guy deserves to reach the stratosphere, like his collaborator, Tom King.  Hopefully it'll happen at some point.

Green Lanterns #22 (DC)
The adventures of upstarts Simon Baz and Jessica Cruz have now reached the stage where they're actively interacting with the rest of the Green Lantern Corps.  Continues to be what I've long hoped to read in a Green Lantern comic again.

Nightwing #19, 20 (DC)
Well, hot damn.  Tim Seeley has turned Nightwing into a must-read after all.  Nightwing has been so hit-and-miss since the Dixon/Grayson years, a lot of creators coming in hot and then sort of sputtering out.  This includes Grayson, Seeley and Tom King's bold revision that saw Nightwing become a spy for a couple years.  But to take Nightwing away from Dick Grayson is to take away the essential part of the character, no matter how intriguing the results.  Too many of these writers have tried to forget this or that element of the character.  Seeley seems to have built not only on the Grayson momentum, but folded Dick's Batman and Robin days back into his adventures.  "Nightwing Must Die" is a Dr. Hurt story (the whole thing plays nicely with Batman and Robin, Grant Morrison memories), but it remembers that Dick's whole history is what defines him, perhaps more than any other superhero.  Possibly the two best issues of Nightwing I've ever read (Grayson: Futures End notwithstanding).

Savage Dragon #223 (Image)
If you were to read, in 2017, only one comic book series in its entirety to figure out what superheroes are all about, I think Savage Dragon would have to be that series.  Erik Larsen is the Image creator who never gave up on the original vision of the company, who never decided to pursue other interests at the expense of the creative freedom and opportunity his vision gave him.  The letters column is almost more important than the comic itself this time:

"Change is inevitable and being more stuck in the past is no solution. Styles change, people change. You loved that old stuff because you were 12 and that was your sweet spot. You may not want change but I crave it. Doing the same drawings the same way for decades is mind-numbingly monotonous. I love nothing more than finding new ways of tackling a similar problem. I look at the older issues and see all the mistakes. I see all the poor drawings and attempts to hide my deficiencies behind a wall of crosshatching and it doesn't do much for me. The lines aren't defining shapes and establishing light sources. They're lines for the sake of lines. Emulating that seems insane. 

Strong iconic poses are great, sure, but ultimately, I'm trying to tell a story here, not compose pictures to be popped onto T-shirts and lunchboxes. And given the choice of repeating a familiar shot or finding something new--nine times out of ten I'll go with the new.

It's not an easy path. Some artists get stuck in a rut, forever repeating and emulating their old work. Readers get bored and move on. Others keep trying new and different approaches but that can alienate old readers who liked the way things had been. There's no simple solution, clearly, but in order to preserve my sanity, I need to keep moving. If I'm not kept engaged, I can't expect my audience to be. If I'm bored, it's reflected in the work. So I tend to try something new. Sometimes it's successful and sometimes it's not, but hopefully it's worth your attention. 

And honestly, it's important to unlearn what you've learned. A lot of what made earlier work vibrant and full of life was the learning process. I was figuring stuff out. And part of that involved screwing up. I can look back at old art and see where arms were clearly too long or faces were constructed poorly, where compositions and anatomy and perspective are all skewed and line work makes no sense. It's hard to recreate that--and why would I want to? It would be like going back to high school."

To my mind, it reads like Larsen becoming the Bill Watterson of comic books.

Superman #22 (DC)
I really need to read more of this run.

Old Man Logan #22 (Marvel)
Jeff Lemire continues his concluding run with Wolverine exploring the character's fictional past, brilliantly, literally revisiting famous stories (at one point his origin in the pages of a Hulk comic, complete with the original dialogue).  If anyone had to tell Old Man Logan stories as a surrogate to actual Wolverine stories, I'm glad it was Lemire.  He proves why it was such a good idea all over again.

Reading Comics 202 "Third LCS Visit 2017"

American Gods #1 (Dark Horse)
An adaptation of Neil Gaiman's novel, which is soon to be debuted in another adaptation, for television.  I haven't read the book in years, but I liked it quite a lot.  Still, reading some of it in comics form makes me realize it really has been years, so I may have to reread it.

Batman #19 (DC)
Tom King sets up an epic clash between Bane and Batman.  He continues to write sensationally.

Divinity III: Stalinverse #3 (Valiant)
Matt Kindt likewise continues to write sensationally.

The Amazing Spider-Man #25 (Marvel)
Dan Slott's epic run continues, this time with Norman Osborn.  I actually picked this up because Stuart Immonen begins his run (he's done Peter Parker before in the pages of Ultimate Spider-Man) with the issue.  Thankfully he retains his return to streamlined work previously seen in Empress and other recent work.  Actually, the most notable thing about the issue is Slott introducing...the Superior Octopus.  Which is really, really awesome.

Star Trek: Waypoint #4 (IDW)
The first Enterprise-focused comic ever!  Phlox was featured in a doctors confab a few years ago, but this is the first time the fifth live action series has gotten its own comics adaptation.  The writer somewhat flubs the opportunity, but still rightfully puts Porthos in the spotlight.  It's always about Porthos!

Superman #19 (DC)
Action Comics #976 (DC)
Peter Tomasi and Patrick Gleason are their usual sensational selves in the first issue, while Dan Jurgens continues to struggle to adapt to modern storytelling in the second.  But I like the "Reborn" concept and how Mxyzptlk was revealed to be behind the Clark Kent mystery, and how Jurgens gets to unique disparate continuities in the conclusion, which feels right regardless of my other qualms.

X-O Manowar #1 (Valiant)
Matt Kindt again, in this quasi-reboot of the franchise, completely nailing it.  Might be viewed as the Dark Knight Returns/"Old Man Logan" for comics' most famous Visigoth.

Reading Comics #200 "First LCS Visit of 2017"

Batman #14-15 (DC)
This two-issue interlude features Tom King working alongside signature collaborator Mitch Gerads (Sheriff of Babylon) exploring King's vision of the Batman/Catwoman dynamic.

Divinity III: Stalinverse #2 (Valiant)
Divinity III: Aric - Son of the Revolution #1 (Valiant)
Divinity III: Komandar Bloodshot #1 (Valiant)
Divinity III: Shadowman and the Battle of New Stalingrad #1 (Valiant)
Matt Kindt's epic vision continues, this time in full-on event form with multiple writers participating in spin-off one-shots.  Love the debut and concept of Red Legend, as well as where Kazmir, the third cosmonaut, has been all this time.

The Flintsones #3, 5, 8 (DC)
Figured I'd check out this Mark Russell (Prez) interpretation of the classic cartoon.  I learned more about his creative vision, certainly.

Justice League of America: Rebirth #1 (DC)
Steve Orlando has officially joined the ranks of elite writers at DC.  Love his Lobo, which is the classic one and not the much-derided New 52 version.

Kamandi Challenge #1 (DC)
Dan DiDio (can't believe I hadn't created a tag for the guy until now) and Dan Abnett help launch this latest ode to Jack Kirby with his Last Boy on Earth, which is a concept as set up by DiDio could really be a great story well before he ever learns the truth. 

Star Trek #57 (IDW) (2016)
Star Trek: Waypoint #3 (IDW)
The first issue features the third of four installments from an ode to Spock's legacy as a tribute to the late Leonard Nimoy.  The second features Voyager and Deep Space Nine stories that I found pretty insightful.

Superman #11, 14 (DC)
Pete Tomasi and Patrick Gleason set up Super Sons with the first issue and begin "Multiplicity," which is a direct ode to Grant Morrison's Multiversity, with the second.

X-O Manowar #50 (Valiant) (2016)
I was never particularly a fan of this Valiant rebirth title, but I figured I'd have a look at the final issue.  Most notable are the bonus stories from Fred Van Lente and Matt Kindt, whose effort gives a brief preview of his upcoming relaunch.  I hadn't really considered until this issue that the character is pretty similar to Alpha Centurion. 

Reading Comics 196 "DC Rebirth Week Eight, Divinity II, Moon Knight"

Covered this edition: Detective Comics #937, Divinity II #4, The Flash #3, Moon Knight #4, Nightwing #1, Red Hood and the Outlaws: Rebirth #1, Action Comics #960, Titans #1, and Wonder Woman #3.

Detective Comics #937 (DC)
Batman escapes from the custody of the bad guys this issue, which features the return of Ulysses Hadrian Armstrong (I remember him fondly from the pages of '90s Robin), who is a little criminal genius in the making.  As this is the bulk of the issue, it's a slam dunk of a sequence.

Divinity II #4 (Valiant)
The final issue of this particular story in the saga (an ad promises Divinity III this December, as does some quick foreshadowing) is a remarkable conclusion to Abram Adams' war with Myshka in which he's able to connect with his fellow cosmonaut-turned-god on a strangely human level.  Matt Kindst's work with Divinity remains some of the best stuff being published today.

The Flash #3 (DC)
I can't even begin to describe how happy I continue to be about this relaunch.  I haven't been (with all due apologies to Geoff Johns) been this interested in a Flash comic since Mark Waid's prime.  The cleverness just doesn't stop.  One would think Central City being flooded with new speedsters would diminish the role of Barry Allen as a significant figure, other than as budding mentor (can you say Max Mercury?), but then his new sidekick August Heart says something brilliant like, "Do you know how fast you were going?" 

Moon Knight #4 (Marvel)
Jeff Lemire continues to knock this one out of the park.  (If chosen carefully, the things you enjoy shouldn't be so difficult to enjoy.)  I decided to catch up with this weeks-old issue, and damn if this isn't one of my favorite comics in recent years.  It's really that good.

Nightwing #1 (DC)
This is a strong follow-up to the Rebirth one-shot, in which Nightwing repositions himself as a mole in the Parliament of Owls and then meets Raptor, the latest dude who thinks Dick Grayson can't hack it on his own.

Red Hood and the Outlaws: Rebirth #1 (DC)
This is Scott Lobdell's restating of the Jason Todd biography, although this time he makes the point that Jason is uniquely suited to appear like he's the compromised Batman, which is interesting.  I know Frank Miller probably has conniptions every time a comic book suggests Boy Wonders aren't destined to become lunatics, but I don't have a problem with it.

Action Comics #960 (DC)
Wonder Woman enters the fight, but other than getting some readers up to date about Doomsday's origins, nothing much significant happens this issue.

Titans #1 (DC)
This fairly Wally West-centric issue also features Linda Park.  Hey, I can't argue with that.  Dan Abnett lets other Titans in on the act, notably Lilith, who's one of the more obscure members of this family, before shockingly revealing that Abra Kadabra is claiming responsibility for Wally's disappearance.

Wonder Woman #3 (DC)
Greg Rucka does a pretty powerful study of Cheetah, one of Wonder Woman's most famous foes, who probably comes off better in this one issue than she has in all her other collective appearances combined.

Reading Comics 191 "DC Rebirth Week Four, Divinity II, Totally Awesome Hulk, Justice League, Robin"

Covered this edition: Divinity II #3, The Flash #1, The Totally Awesome Hulk #7, Justice League #52, Robin: Son of Batman #13, Action Comics #958, and Wonder Woman #1.

Divinity II #3 (Valiant)
Matt Kindt continues the second volume of his visionary superhero saga, in which Russian cosmonauts Abram Adams and Myshka engage in the ultimate duel, across time and reality, as they attempt to determine whose will triumphs in this high-stakes game of god-like beings.  For the second straight issue, it seems the villainous Myshka has once again come out on top, but there's a telling moment when Abram visits the young Myshka, years before the mission that was to change their lives and the whole world, and whispers something into her ear.  Abram has taken great pains in explaining to the adult Myshka that you can't change the past. The suggestion is that whatever he said to the girl is more crucial than the adult currently realizes.  I assume something of that sort will be involved in the conclusion next issue...

The Flash #1 (DC)
My name is Tony Laplume, and I am the happiest Flash fan alive.  Well, maybe one of them, because this debut issue of the series proper lives up to the promise of the Rebirth preview, as Josh Williamson sets up a bold new arc in which the gift of the Speed Force starts spreading around.  Williamson's best bit of storytelling is actually the whole issue, which starts out explaining Barry Allen's origin again, while inserting a key new player, who by the end of the issue is the first (there will be others) to experience the expansion of speedsters.  This series is in excellent hands.

The Totally Awesome Hulk #7 (Marvel)
Easiest some of the best Marvel comics I ever read were Incredible Hercules and its several continuations, which featured Amadeus Cho as the Hulk's (and yes, Herc's) biggest fan.  This shouldn't have worked, right?  In the modern era, the "kid sidekick" idea is passe, but Cho's enthusiasm, not to mention his smarts, puts him in a league all his own.  And in this era where every Marvel superhero is being replaced by their biggest cheerleader (of various extractions), this is the best variation possible.  But the issue actually puts the focus on Bruce Banner, who is totally free of the Hulk for the first time ever, and he's struggling to deal with it.  You'd think it would be a good thing, but when you're Bruce Banner, it's much more complicated than that.  If you like your Hulk to be good for something other than smashing (although that's good, too), then this is a good time to be a fan.  Spearheading this new era is Greg Pak, who knows a thing or two about the big green guy.

Justice League #52 (DC)
The final issue of the series strangely harkens back to the very beginning, as a new hero is introduced to the world.  This time it's Lex Luthor, presenting his version of Superman.  The writer is Dan Jurgens, providing a bridge between where Geoff Johns left off with Luthor and where Jurgens picks up again in the pages of Action Comics.  Lex Luthor was one of the characters who benefited greatly from the New 52, and Justice League.  It's only appropriate to give him the nod like this.  What I love perhaps even more is that the artist is Tom Grummett, making this a mini '90s Superman reunion. 

Robin: Son of Batman #13 (DC)
The final issue of the series, which I decided to read so I could say I was fair to the creators not named Patrick Gleason who worked on it.  (Okay, so technically it would have been more fair to read more than one issue, but still...)  As it turns out, Ray Fawkes is once again better than I seem to have given him credit for, as his version of Damian and friends fits in wonderfully with Gleason's, and even serves as a truly fitting finale.  Nice one, Fawkes.  I'll try to remember next time.

Action Comics #958 (DC)
Jurgens, Lex Luthor, and Superman, and Doomsday, and Clark Kent, oh my!  Clearly there are things going on that aren't quite what they seem, but I love, love, love that Jurgens is getting the chance to further expand on his Superman legacy, which admittedly he's had many chances to do over the years.  I think he's really nailed it this time.

Wonder Woman #1 (DC)
I thought Greg Rucka would be fixating somewhat exclusively on Wonder Woman's origins, despite the alternating storylines ahead, but this issue presents a wrinkle in that idea, as the end of the issue reveals that she's been locked out of Themyscira, and she's had to turn to Cheetah, of all people, for help.  I also like Rucka's characterization of Wonder Woman's reluctance to fight, and Steve Trevor's reclassification back into a military guy.  All around good stuff here.

Divinity II #2 (Valiant)

When I saw, in Valiant's 2016 Free Comic Book Day release, the direction Matt Kindt planned to take with the next installment of Divinity, I knew instantly that this was a concept with legs.  Now that I've had a look at Divinity II, I know I was right.

Divinity was the story of Russian cosmonaut Abram Adams, who was sent on an extraordinary mission at the dawn of the Space Race, and returned in the present day a changed man, to say the least.  He became a superman.  In a lot of ways, he was transformed into Dr. Manhattan, imbued with powers that put him far beyond mortal man, able to manipulate reality on a whim.  Thankfully, he was fully benevolent, although Valiant's heroes weren't comfortable making that judgment, so they ended up trapping him in a prison of his own memories.

DC has made that same kind of conclusion with Captain Atom, who in recent years has become more and more like Alan Moore's Watchmen vision of him, Dr. Manhattan, so that in itself was not a breakthrough.  It's Kindt's storytelling, which keeps a human focus the whole time, Abram's focus on his tragedy, the family he left behind and couldn't, except in his unique prison, return to, that grounds it, makes it something new.

In the sequel, Kindt returns to the beginning and revisits Abram's colleagues, two other cosmonauts marooned at the edge of mystery same as him, but who didn't return.  Until now.  One of them, anyway, Myshka, whose arc is defined by the perceived abandonment by Abram.  Her return is a savage confrontation with Abram, who reveals to his would-be captors that he was willingly imprisoning himself all along...

It's this clash of perspectives that has made Divinity so great, Kindt's exceptional ability to navigate the conflicts that ensue, that's at the heart of all great storytelling.  If Divinity is a Watchmen story (which is not how you have to read it), then it's another way of viewing how things would look different, from a different perspective.  Which is kind of the point.

Divinity continues to be a must-read, and the best thing Valiant has published.

Reading Comics 186 "Free Comic Book Day 2016"

So, Saturday was National Comic Book Geek Day, otherwise known as Free Comic Book Day, which to further clarify (because every time I bring up to my sisters, they assume you can pick up just any comic for free), is when pretty much every publisher puts out a special release that's absolutely free.  It's the best comics advertising of the year, and what they provide often gives you keen insight to what they consider important.

Take DC, for instance.  This year they published a special reprint edition of Suicide Squad, somewhat obviously because the next DC movie is...Suicide Squad.  But more importantly, because DC's next big event is DC Rebirth...which is just around the corner, and the big reveals are waiting to be discovered in Justice League #50 and DC Rebirth Special.  So this year there wasn't really much point in doing something other than what it did for the freebie.  The company has brownie points to earn for its next movie, because no one actually thought Batman v Superman: Dawn of Justice was as cool as DC did, and Deadpool looked like it just created a revolution earlier this year, and so yeah, the somewhat tonally-similar Suicide Squad looks like a pretty good horse to back.

But enough about that.  But a little more about movies!  Because after visiting my local haunt, I went and saw Captain America: Civil War.  It was a pretty good movie, all told.  It's my favorite Avengers movie, somewhat easily, I might add.  Although plot-wise it's full of holes (about as many as people tried really hard to see in Batman v Superman), it does the Marvel method better than any other in that franchise to date.  So that's pretty cool.

Getting back to the comics, my local haunt put a three-book maximum, and so I had to be pretty careful.  The first choice was really obvious, and so that left two.  I'll walk you through my thought process:

Avatarex FCBD Special Preview (Graphic India)
This is Grant Morrison.  You know Grant Morrison, right?  Chances are, if you've read this blog at all, you'll catch a hint that he's one of my favorite comic book writers.  So this was the gimme.  Avatarex is something I first learned about last year, but it was a pretty exclusive affair in 2015, being available only through a special online bundle (I assume it was digital, but Graphic India did not go out of its way to make this easy to decipher).  Once I'd read this preview, I found out what Avatarex is all about.  Basically, it's Morrison's modern 18 Days, featuring Superman as depicted in Man of Steel and Batman v Superman.  The whole thought process is very clearly spelled out in the preview.  Also included in the preview is an excerpt from 18 Days, which is a project I've wandered from recently but fully intend to read completely at some point, because it's fascinating.  This is the primordial superhero epic, the Crisis in Ancient India, as it were.  Morrison himself isn't writing the complete story, which is part of the reason I've found it easy to stray, but it's such powerful stuff, a vision Graphic India would really have needed to screw up.  And thankfully, from everything I've read to date, the company really hasn't.  Which is really good.  It's also good that we're getting a writer of Morrison's caliber presenting comics from a totally different landscape than we're used to.  And bringing his A-game...

Civil War II FCBD (Marvel)
Brian Michael Bendis and Jim Cheung present this preview of the upcoming sequel (-ish thing).  In terms of what they present here, I'm glad I read, and relished, Charles Soule's Secret Wars effort, because as of this material, I have no idea what the fight will be about.  This is more like random material they tossed in (which is kind of how most of Captain America: Civil War plays out, but again, I say that out of admiration, because eventually, weird logic ensues), including completely downplaying Thanos.  (Somewhere along the way, I have to assume someone making the movies decided Thanos wasn't as important to the overall arc as Joss Whedon suggested, because he's been almost completely insignificant, even in Guardians of the Galaxy.)  Unlike the reprint synergy DC brought to FCBD this year, Marvel's just reads cynically.  Which is weird, because Bendis is literally one of the chief sources of inspiration that brought about the hugely successful movies, and his work subsequently just looks like afterthought.  Even weirder, the special also slips in a random All-New, All-Different Avengers excerpt, which is Mark Waid literally riffing on last year's Ant-Man.  I just don't get it.  Here's Marvel doing exactly what DC usually does, and ending up looking like it wasted the whole thing.  But at least it reminds everyone that Marvel's got comics, too...

Valiant 4001 A.D. FCBD Special (Valiant)
This is a company I've grown quite fond of in the last year.  I haven't been reading a lot of it lately, but it made for an easy selection, because there are various previews of upcoming projects, including the titular latest crossover event and Divinity II, both from writer Matt Kindt, who is easily the company's greatest steal, if nothing else than for his Divinity.  The second volume of this saga looks just as fascinating as the first, with Kindt pulling back the curtain a little and having a look at the two cosmonauts left behind last time and maybe more about what's really going on.  I look forward to reading more of that.

And finally, I was also to slip into another shop later in the day.  Predictably, the pickings were slim, but I came away with:

Camp Midnight FCBD Special (Image)
In the spirit of Lumberjanes (which is a huge buzz book I've sampled thanks to comiXology), Camp Midnight is a young readers adventure set in summer camp.  The writer is Steven S. Seagle, whom I'd shockingly not yet made a label here, despite his rather formative accomplishments (including the seminal if sparsely-referenced It's a Bird... Superman graphic novel).  He's part of the creative group behind Ben 10 and Big Hero 6.  And his writing chops are in evidence here, which is an excerpt from a graphic novel.  A lot of times, material aimed at younger readers tries to be too clever, so that it ore represents Adult Swim-inspired material like Archer, or the caffeine-inspired cartoons that kids have today.  Seagle wisely backs off from that approach, but still maintains an edge.  Glad I had a second chance to catch a look.

It's also worth talking a little about the character of FCBD as I experienced it this year, in Virginia.  My last two experiences were in Maine, and waiting in line there was a little like experiencing riffraff congregating (plus some Stormtrooper cosplay).  This year I had a better sense of the comic book fans who saw this as a special occasion.  I got to overhear, and participate, in some of the better chatter I've heard at a comic book store.  These places can sometimes be a wretched hive of scum and villainy (it's no wonder geeks largely define the dialogue of the Internet), so it was nice to experience something better for a change. 

On the whole, it was a pretty good day.

Reading Comics 163 "More Comics from 5/27/15"

Divinity #4 (Valiant)

The conclusion to the first Divinity mini-series (this issue announces the next one) is a worthy ending to an outstanding story that not only explores the potential of a character with infinite abilities in ways that you normally don't see, but explores Valiant's superheroes in general (grouped together as Unity) to a remarkable degree, all of which previous issues suggested, and so it's nice to see everything come together so nicely.  And we see Divinity himself, in a move that if it's ever happened I'm not particularly aware of it, actually inspire a religion.  (Seriously, I have no idea why DC's New Gods have never been presented this way.)  Another feather in the cap of Matt Kindt.

Mister X: Razed #4 (Dark Horse)

Dean Motter's latest Mister X concludes a little more intimately than usual, as usual referencing the setup of the whole concept, but also presenting Mister X himself as a character with more than just an obsessive quest (for redemption, among other things) going for him.  I haven't read all of Motter's Mister X, although at some point I'd certainly like to.  I like its cerebral approach, how it evokes a previous era while at the same time presenting something new.  What I've always wanted is for the narrative to move forward a bit.  I think this issues represents exactly that, so I'm glad to have read my first-ever Mister X in original serialized form.  Anyone curious about Motter's work might actually start with this issue, because it sums up the whole thing nicely.

The Sandman: Overture #5 (Vertigo)

The first issue published this year???  Indeed.  And the mini-series launched at the end of 2013, so...five issues across three calendar years.  Obviously not a very fast pace...I've had my issues enjoying this effort from Neil Gaiman and J.H. Williams III, but at this point I think I've put them behind me.  This was never supposed to be the Sandman of the original series, but rather an expansive view of the whole thing, Dream himself.  The next issue (whenever that happens) is actually the conclusion, so I'll wait until then to come up with a more comprehensive reaction to Overture.  But as with Mister X, I'm just glad to have an opportunity to correct something I hadn't done previously, which is read the serialized version of something I previously knew from collected editions...

Divinity #3 (Valiant)

writer: Matt Kindt

artist: Trevor Hairsine

I admit, I decided I was interested in Divinity because I found myself obsessed with Matt Kindt's Mind MGMT.  I wanted to see some of his other work.

This was a very, very good decision on my part.  Divinity is phenomenal.  And it's getting better.

This is a Valiant mini-series.  Valiant is home to a bunch of wandering heroes sometimes published by a company named Valiant and sometimes not.  These heroes apparently also form a team called Unity these days, and they showed up in Divinity last issue, but begin to become relevant to how the story work this issue.

The story belongs, however, to erstwhile Russian cosmonaut Abram Adams, who encountered something truly out of this world, and came back...changed.  He's discovering along with everyone else exactly what that means.  Part of what happened to him was because he defied his superiors and left someone behind.  Forming personal relationships was supposed to be forbidden, but it gave Abram a tether.  Stories like this are always good.  It provides an opportunity for emotional investment to creep in, no matter what else may be going on.

Kindt has also taken the opportunity to borrow a page from Grant Morrison's playbook.  Notice in the panels I've included for your convenience Abram breaking the fourth wall.  He realizes his life exists in the pages of a comic book.  He can exist on whatever page he wants (this would have been handy for Morrison to do in The Multiversity: Ultra Comics).

This is to say, again, that Divinity was intriguing to start out, on any number of levels, but that Kindt is making it better and better all the time.  It's a tremendous selling point for Valiant's whole line, a reason for otherwise apathetic readers to care.  This is what event books should do, but rarely are they approached by their writers with such deftness.

Quick Hits 4

Superman #39 (DC)
Geoff Johns concludes his run with a gentle character study replete with his trademark insights.  Sad to see him go, but it's always good to have him visit with the Man of Steel.

Batman #39 (DC)
A cover-stripped and therefore freebie edition because of some issue or another, which nonetheless allowed me to read another installment of "Endgame," in which Batman hopes to discover the Joker's secrets from the Court of Owls, with anemic results, alas.  I keep expecting Scott Snyder to rise to expectations created by his high profile, and he keeps backing off.  Far more intriguing is the James Tynion IV backup featuring an almost-origin of the Joker.  It's clever, how the story unfolds, because at first it really does seem as if we've finally found out who he was and how he came to be, but then of course we find out it's just another of Joker's sadistic jokes, and it may actually be the best thing the Joker has done in the New 52.  Trace the story backward through previous comics (Batman Annual #2), and you've probably got a pretty good standalone collection right there.

Divinity #2 (Valiant)
So I'm becoming something of a Matt Kindt junkie.  I thought this was a standalone mini-series, but apparently it's tied in with Valiant's superheroes.  Still interesting, though.  The whole thing comes from an intriguing angle, a Russian cosmonaut from the '60s inexplicably coming back, without having aged, with extraordinary abilities, having broken the taboo of forming a romantic relationship prior to heading out into space...

MIND MGMT #25-31 (Dark Horse)
Catching up with the series to date leads to a number of fateful encounters (that's the crux of the whole series, really, unraveling the mystery of what happened and in the process leading to a long-in-coming conclusion to something, basically, that's already over).  Like Supreme: Blue Rose, it reminds me of Mike Costa's Cobra.