I haven't been to an actual comic book store in about half a year, so I decided it was time to visit one, given the opportunity, and found some good stuff:
Batman #84 (DC)
And now there's one issue to go. Ironically or not, but the longer Tom King's run went, the less fans really cared. The obvious tipping point was when the wedding didn't actually happen. Fans felt cheated. They wanted something truly big to happen, and King seemed to promise exactly that. Instead the reaction has solidified on...pretty much how all of King's DC material has been received, as so much awkward navel-gazing. The irony here is that when he did it for Marvel (The Vision), everyone lauded him as a new genius, perhaps because Marvel so seldom publishes reflective material, let alone seems to realize that it has, and that it's worth celebrating.
I still can't think of any comic book writer I've so consistently admired, who has so often grasped the potential of DC's landscape. His accomplishments go far beyond anyone else's for the fact of delivering on nearly everything he's done, dating back to Omega Men, when he was entrusted with his first spotlight work. That goes back to 2015. Half a decade of excellence, and one long stellar run on a major title.
This particular issue harkens back to his first standout mainstream accomplishment, Grayson: Futures End, where I first came to discover King's remarkable talents. Grayson was a series he typically wrote in conjunction with Tim Seeley, but for the Futures End one-shot, he wrote solo, and even beyond the clever coding gimmick, it was brilliant character-based storytelling.
So in the issue, he basically extrapolates the Flashpoint Batman's complete story, which is all the more remarkable because that story was already brilliantly told in Flashpoint itself and the acknowledged best mini-series that spun out of it. And in doing so, explains his whole purpose for the Batman run he's been doing all along. This is a master class, not only in itself but in the fruitful extension of someone else's ideas. When all is said and done, it's something that will need to be included not only in the legacy of Batman, but Flashpoint, and superhero comics in general.
Collapser #5 (DC/Young Animal)
I like to try and discover interesting new material, too, when I visit a comics shop. Granted, this was far easier when I used to spend far more money on comics (money that I, ah, didn't technically...have?), but now I have to use the old "it looks interesting" approach, or even risk taking recommendations (these don't always pan out, naturally, but then, it's how I discovered Young Avengers). And Collapser #5 had an interesting cover, and it was a Young Animal comic. I love the Young Animal imprint, even if fans in general seem strangely apathetic about it. Such is life. The results this time were adequate, if not sensational. I didn't regret buying and/or reading it. Yay!
Copra #3 (Image)
Ah! So Copra is being published by Image now! The last time I can think of that Image picked up a popular self-published comic was Bone. Probably not the only example, but the only one I really care about. And Copra is another great acquisition! It may look crude, compared to the slick packages of virtually every other Image comic (but that goes with the name, right?), but Copra remains a good read.
Doctor Mirage #4 (Valiant)
I've sort of let Valiant's comics slip from my radar in recent years, but I like to keep tabs. Apparently they finally continued Doctor Mirage's adventures! Sadly, not under the title The Death-Defying Doctor Mirage, much less written by Jen Van Meter, but it's still nice to see!
Far Sector #1 (DC/Young Animal)
Ah! It's almost like reading King's Omega Men all over again! Insofar as it's another Green Lantern tale, without "Green Lantern" in the title, that turns out to be a brilliant new interpretation of what a Green Lantern comic can be! Far Sector features yet another new human Green Lantern, but N.K. Jemisin doesn't linger (at least in this debut issue) on that aspect so much as the murder mystery she's tossed into, in about as grand a miasma as King's Omega Men featured. Some readers might complain that Jemisin tries to be too hip, but I think it works, and it makes me want to not only keep tabs on Far Sector, but read some of Jemisin's books. It doesn't always work, but finding talent outside the usual comic book circles has the potential to find a Jemisin or a Tom King. And apparently awesome new Green Lantern comics. Love it!
Flash Forward #1 (DC)
After all the complaints about Heroes in Crisis, I loved when DC announced Flash Forward, a new Wally West tale. Several issues have been released at this point, but I figured I should see how it began. And I love it. Scott Lobdell, who has quietly become one of DC's one reliable character writers, captures a Wally who's even more traumatized than readers by his actions, but thrust all the same into a wild new adventure. Juxtaposing Wally's arc with another wild ride into the multiverse is itself another interesting choice, but I think Lobdell can avoid duplicating what ultimately happened to Booster Gold when he attempted a career revision in similar fashion (and in the process helped form the foundation of the TV series Legends of Tomorrow, which he inexplicably has never factored into).
Legion of Super-Heroes #1 (DC)
I've never been a devoted Legion fan, but I've read enough Legion comics to have built up an interest, and this is Brian Michael Bendis, still firing on all cylinders in his new DC digs, so of course I dig it.
Second Coming #5 (Ahoy)
Wow. So I haven't read anything but this issue, but I'm glad this comic exists. It's exactly what Mark Russell should be writing. The guy made his name writing stuff like this, so I'm glad he returned to the well. This particular issue is God and Satan having an awkward attempt at reconciliation, which is itself brilliant, plus the Second Coming Superman analog struggling at another kind of reconciliation, whether or not he'll ever have a child, which '90s Superman (in the comics and Lois & Clark on TV wondered about, too) was also concerned about, although since then we've gotten two versions of Superman's son. I'm in love with Russell again. I continue to hope that, even as his profile has risen greatly in recent years, it can go higher still.
X-Men #1 (Marvel)
Jonathan Hickman, riding high from great acclaim for his X-Men universe relaunch, begins to settle in, and I still enjoy the results.
Young Justice #11 (DC/Wonder Comics)
Here's Bendis again, integrating Naomi into the greater landscape. I love that he's helped Tim Drake finally follow in Dick Grayson (and Jason Todd's! and even Stephanie Brown's!) footsteps and assume an identity that doesn't have "Robin" in it. I know some fans complain that it's...Drake, which is...already his last name. But realistically, his secret identity is still firmly intact. And at the moment, his adventures are so wild, he's far removed from the common element, so it hardly matters. But I want it to stick. I want a Drake comic. (And a comic for everyone in this book! I wasn't totally committed to the Peter David version of the team. But I'm glad it's made a comeback.) And I'm glad Naomi is getting a chance to expand her emerging legacy. I hope she sticks around for years.
His superhero name is Drake? He'd probably get sued by the rapper Drake.
ReplyDeleteI'm about 10 issues behind on Batman. Just waiting for them to go on sale.
The only Young Animal I've read is the first volume of Mother Panic I got for free. It was pretty good but I never got around to buying more.
The one I want to catch up on is Cave Carson (both volumes).
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