Showing posts with label Joelle Jones. Show all posts
Showing posts with label Joelle Jones. Show all posts

Saturday, June 26, 2021

Future State - Top Ten: #1. Wonder Woman

 


Writer/Artist: Jöelle Jones

This result was basically self-evident from the first issue. I say “basically” since I had it ranked second when covering just the first two weeks of Future State. Swamp Thing topped it initially, with a truly outstanding first issue that was probably never going to be easy to follow with only one additional issue (though, again, Ram V’s follow-up series has more than adequately rectified that). But Jöelle Jones had created something that was truly effervescent:

A perfect confluence of writer, artist, and character. Two out of three of those were fairly easy to accomplish, as Jones wrote and drew the comic. Her new Wonder Woman, Brazilian (as in Amazon Rainforest) Yara Flor, didn’t bother with any kind of introduction or justification, but rather plunged into Jones’s version of Wonder Woman adventures.

Now, Wonder Woman is one of DC’s Big Three, but she has never had the rich history of Batman or Superman. She’s had continuous publication and significance, but really, none of the classic storytelling. There has been a considerable uptick in great storytelling in the past twenty years or so, with Greg Rucka (at least his classic embassy run) and Brian Azzarello being the obvious highlights, but nothing that feels quite as effortless as what Jones accomplishes here.

Simply put: This is a truly fun read. It’s beautiful to look at (I’m ashamed to admit this is the first time I’ve really appreciated Jones’s artwork), but it’s playful and assured in ways I’ve never really seen in a superhero comic. Usually playful means cartoonish. That’s not what Jones does. Her Wonder Woman enjoys being Wonder Woman, and is prepared for what she encounters. Simple as that.

And it’s a complete revelation. It’s easy to see that DC envisioned Future State to be a platform for new voices. I truly hope Jones has the chance to be elevated as far as she can go. I’ve read the first issue of the follow-up, and it’s just as awesome, but now I want more! I want to see Jones unleashed! The first female lead creator in comics! 

Sunday, January 24, 2021

Ranking the first two weeks of Future State, plus Crossover and more!

Fortified with pandemic money, I decided to read at least the first month of Future State, the DC thing that is not 5G but was originally intended to be. I love these DC event blocks whatever their origins, from Tangent Comics to Convergence. Granted, 5G was conceived as a kind of new Silver Age update, a line wide reset, even more radical than the New 52, a new generation of superheroes, including the big three. DC fired Dan DiDio to stop it from actually happening, but it’s...pretty much going to happen anyway. A lot of people were fired to help set up a new generation of creators, many of whom are unofficially beginning their runs here. I feel bad for people losing their jobs in the pandemic, but I also like bold new ideas executed well, and this is what Future State is already proving. From these first two weeks, I see a ton of good.

I’m ordering all this from Midtown. It took ages to get the first box, and then the second of course arrived a few days later, so while everyone else has just digested the third week, here I’m working with just the first two. Well anyway, here’s a ranking, as depicted in the image:

1. Swamp Thing #1 - Ram V, every time I’ve had a look at his work (mostly in the pages of Justice League Dark), has wowed me as working beyond the level of his peers. This might be the project that makes him, or should make him, hard to ignore. This is as good as Swamp Thing has ever been, a return to the famous existential state of Alan Moore. Mike Perkins, another longtime standout, is on art. 

2. Wonder Woman #1 - Joëlle Jones is another creator finally getting her full due spotlight, as writer and artist of this bold new Brazilian Wonder Woman, steeped in mythology, lively, looking and reading brilliantly. 

3. The Next Batman #1 - I have a feeling Future State is happening at all because this past summer’s BLM protests finally made DC publish John Ridley’s Other History of the DC Universe (the second issue of which publishes next week, and which I will write about... a week later?), and this as well. He’s even getting a followup miniseries with the concept. And it will be worth it. This is a Batman who is a fresh look at the familiar concept, a Wayne Enterprises scion who’s been away and is now entering the impossible task of cleaning up Gotham. The big benefit is that it’s a man with an actual family, Tim Fox, whose brother Luke once filled the costume of Batwing. 

4. Dark Detective #1 - Bruce Wayne is dead, Batman is dead. Long live Bruce Wayne, long live Batman. The art is from Dan Mora, Grant Morrison’s brilliant collaborator in Klaus. But the highlight of this book is the Grifter backup feature. It’s the first time I have ever read a competent Grifter comic, so that’s a very welcome development.

5. Superman of Metropolis #1 - The Jon Kent lead is fine, but like the above comic a backup is the real highlight, the Shilo Norman Mister Miracle feature, with standout art from Valentine de Landro.

6. Kara Zor-El, Superwoman #1 - Marguerites Bennett and Sauvage are once again a potent combination here, writing a grownup Supergirl still making peace, or perhaps finally having done so, with arriving so much later than Superman (and now having his son to contend with, too).

7. Justice League #1 - The lead features the next generation League, which is great in and of itself, until it gets even better with the return of the Hyperclan (!!!), plus a Ram V JLDark backup in which, among other things, Detective Chimp has become the other half of Etrigan.

8. Harley Quinn #1 - The big highlight here is the art from Simone DiMeo, which subverts all the usual isn’t-she-a-rebel-but-also-sooo-sexy stylings of Harley Quinn by...making pretty much everything else the focal point. It might be difficult for some to appreciate what the panels actually do, but for me it’s hugely refreshing. 

9. The Flash #1 - The whole Flash family is here, and the story is a riff on Wally Is Bad!!! that’s been a thing since Heroes in Crisis, which is only going to further infuriate those fans, but the story quickly gives another explanation for what’s happening here, and thus a clever setup for the classic Flash battles with the science-based weaponry of his Rogues. For me it’s really just great seeing that family back together, including Max Mercury.

10. Green Lantern #1 - The lead story from hardcore Hal Jordan hater Geoffrey Thorne is yet another tale of the Corps in crisis (it’s time to put a moratorium on that, even more than Superman Reveals His Secret Identity!!! or Daredevil’s Secret Identity Is Revealed!!!), but happily it features G’Nort (obligatory reminder that it’s actually pronounced “Nort”). But the Guy Gardner backup is the real draw, in which he actually finds himself in the position of solving (a) world(’s) peace, with a bar. Until Lobo shows up.

11. Robin Eternal #1 - The big draw for me in this one (besides a neat subplot with the deaf lady who possibly comes from the pages of We Are Robin) is the art from Eddy Barrows. I cannot fathom how he hasn’t attained superstar status. 

12. Superman/Wonder Woman #1 - There’s no reason to dislike it except I was seriously wowed by the new Wonder Woman’s solo book so it kind of pales in comparison.

13. Teen Titans #1 - I look forward to reading the second issue so I can hopefully better appreciate the intrigue surrounding Red X (a character making his canon debut after debuting in the manic cartoon). This is a concept that will be showing up in the post-Future State comics slate, by the way. 

I don’t know if I will be continuing the ranking concept with the next batch (much less shuffling all of them together, much less revising at the end of next month), but that was fun. I like to thwart expectations for these sorts of things, besides, the assumption always being that if you like the stuff at the top you probably don’t the stuff at the bottom. I liked all of this, generally. Some of it, particularly at the top, was truly great material. I’d hate for fans to miss out on it because they fear change or dismiss this tangent matter.

I had a look at a preview of the new Eternals comic from Marvel. I know there’s a movie coming at...some point. I have no idea why, except maybe because Marvel knew DC was working on a New Gods movie, and the Eternals are the Marvel version of the New Gods, also created by Jack Kirby, with not even a tenth the legacy. The new comic seems equally pointless.

I read the second and third (I had previously read the first) issues of Donny Cates’s Crossover. It’s a clever concept. It might wear thin, depending how long it goes. Image tends to dilute its best stuff this way. It’s weird, because Mark Millar ruins all his stuff by making it so short, but Image otherwise lets everything else drag on and on. Everyone is currently waiting to see if there’s going to be more Saga (which would have hugely benefited from not just throwing every weird idea at the, ah, saga), while Kirkman finally admitted he really didn’t actually have anything else to say about Walking Dead

Snyder ended Death Metal. It’s a thing that happened because it could, weird stuff being weird for the sake of being weird, which is what Snyder does. 

I read the second issue of Kaare Andrews’ AWA comic E-ratic, which doesn’t look anything like his Spider-Man Reign, alas. But is still a pretty good read. Just saddled with a terrible title.

Generations Shattered turned out to be classic DC storytelling straight outta the ‘90s. Which was the whole point. Is there more? Probably?

Green Hornet #5 from Dynamite featured one of several Lee Weeks covers from these two weeks, which admittedly was one of two reasons I bought it. The other being that it was written by Scott Lobdell, recently finishing up a decade at DC. The story, or at least the art, evokes the classic Batman animated series, which I assume was quite intentional, Green Hornet as a TV property spinning out of another Batman show.

We Only Find Them When They’re Dead #4 from Boom! and Al Ewing was interesting enough to justify having already ordered the fifth issue. This was a reprint. I ordered another reprint, from Chip Zdarsky’s Daredevil, in a box arriving...soonish, but passed on the new issue from this coming week. But the cat’s out of the bag: Elektra is now moonlighting as Daredevil.