Showing posts with label Kaare Andrews. Show all posts
Showing posts with label Kaare Andrews. Show all posts

Sunday, January 24, 2021

Ranking the first two weeks of Future State, plus Crossover and more!

Fortified with pandemic money, I decided to read at least the first month of Future State, the DC thing that is not 5G but was originally intended to be. I love these DC event blocks whatever their origins, from Tangent Comics to Convergence. Granted, 5G was conceived as a kind of new Silver Age update, a line wide reset, even more radical than the New 52, a new generation of superheroes, including the big three. DC fired Dan DiDio to stop it from actually happening, but it’s...pretty much going to happen anyway. A lot of people were fired to help set up a new generation of creators, many of whom are unofficially beginning their runs here. I feel bad for people losing their jobs in the pandemic, but I also like bold new ideas executed well, and this is what Future State is already proving. From these first two weeks, I see a ton of good.

I’m ordering all this from Midtown. It took ages to get the first box, and then the second of course arrived a few days later, so while everyone else has just digested the third week, here I’m working with just the first two. Well anyway, here’s a ranking, as depicted in the image:

1. Swamp Thing #1 - Ram V, every time I’ve had a look at his work (mostly in the pages of Justice League Dark), has wowed me as working beyond the level of his peers. This might be the project that makes him, or should make him, hard to ignore. This is as good as Swamp Thing has ever been, a return to the famous existential state of Alan Moore. Mike Perkins, another longtime standout, is on art. 

2. Wonder Woman #1 - JoĆ«lle Jones is another creator finally getting her full due spotlight, as writer and artist of this bold new Brazilian Wonder Woman, steeped in mythology, lively, looking and reading brilliantly. 

3. The Next Batman #1 - I have a feeling Future State is happening at all because this past summer’s BLM protests finally made DC publish John Ridley’s Other History of the DC Universe (the second issue of which publishes next week, and which I will write about... a week later?), and this as well. He’s even getting a followup miniseries with the concept. And it will be worth it. This is a Batman who is a fresh look at the familiar concept, a Wayne Enterprises scion who’s been away and is now entering the impossible task of cleaning up Gotham. The big benefit is that it’s a man with an actual family, Tim Fox, whose brother Luke once filled the costume of Batwing. 

4. Dark Detective #1 - Bruce Wayne is dead, Batman is dead. Long live Bruce Wayne, long live Batman. The art is from Dan Mora, Grant Morrison’s brilliant collaborator in Klaus. But the highlight of this book is the Grifter backup feature. It’s the first time I have ever read a competent Grifter comic, so that’s a very welcome development.

5. Superman of Metropolis #1 - The Jon Kent lead is fine, but like the above comic a backup is the real highlight, the Shilo Norman Mister Miracle feature, with standout art from Valentine de Landro.

6. Kara Zor-El, Superwoman #1 - Marguerites Bennett and Sauvage are once again a potent combination here, writing a grownup Supergirl still making peace, or perhaps finally having done so, with arriving so much later than Superman (and now having his son to contend with, too).

7. Justice League #1 - The lead features the next generation League, which is great in and of itself, until it gets even better with the return of the Hyperclan (!!!), plus a Ram V JLDark backup in which, among other things, Detective Chimp has become the other half of Etrigan.

8. Harley Quinn #1 - The big highlight here is the art from Simone DiMeo, which subverts all the usual isn’t-she-a-rebel-but-also-sooo-sexy stylings of Harley Quinn by...making pretty much everything else the focal point. It might be difficult for some to appreciate what the panels actually do, but for me it’s hugely refreshing. 

9. The Flash #1 - The whole Flash family is here, and the story is a riff on Wally Is Bad!!! that’s been a thing since Heroes in Crisis, which is only going to further infuriate those fans, but the story quickly gives another explanation for what’s happening here, and thus a clever setup for the classic Flash battles with the science-based weaponry of his Rogues. For me it’s really just great seeing that family back together, including Max Mercury.

10. Green Lantern #1 - The lead story from hardcore Hal Jordan hater Geoffrey Thorne is yet another tale of the Corps in crisis (it’s time to put a moratorium on that, even more than Superman Reveals His Secret Identity!!! or Daredevil’s Secret Identity Is Revealed!!!), but happily it features G’Nort (obligatory reminder that it’s actually pronounced “Nort”). But the Guy Gardner backup is the real draw, in which he actually finds himself in the position of solving (a) world(’s) peace, with a bar. Until Lobo shows up.

11. Robin Eternal #1 - The big draw for me in this one (besides a neat subplot with the deaf lady who possibly comes from the pages of We Are Robin) is the art from Eddy Barrows. I cannot fathom how he hasn’t attained superstar status. 

12. Superman/Wonder Woman #1 - There’s no reason to dislike it except I was seriously wowed by the new Wonder Woman’s solo book so it kind of pales in comparison.

13. Teen Titans #1 - I look forward to reading the second issue so I can hopefully better appreciate the intrigue surrounding Red X (a character making his canon debut after debuting in the manic cartoon). This is a concept that will be showing up in the post-Future State comics slate, by the way. 

I don’t know if I will be continuing the ranking concept with the next batch (much less shuffling all of them together, much less revising at the end of next month), but that was fun. I like to thwart expectations for these sorts of things, besides, the assumption always being that if you like the stuff at the top you probably don’t the stuff at the bottom. I liked all of this, generally. Some of it, particularly at the top, was truly great material. I’d hate for fans to miss out on it because they fear change or dismiss this tangent matter.

I had a look at a preview of the new Eternals comic from Marvel. I know there’s a movie coming at...some point. I have no idea why, except maybe because Marvel knew DC was working on a New Gods movie, and the Eternals are the Marvel version of the New Gods, also created by Jack Kirby, with not even a tenth the legacy. The new comic seems equally pointless.

I read the second and third (I had previously read the first) issues of Donny Cates’s Crossover. It’s a clever concept. It might wear thin, depending how long it goes. Image tends to dilute its best stuff this way. It’s weird, because Mark Millar ruins all his stuff by making it so short, but Image otherwise lets everything else drag on and on. Everyone is currently waiting to see if there’s going to be more Saga (which would have hugely benefited from not just throwing every weird idea at the, ah, saga), while Kirkman finally admitted he really didn’t actually have anything else to say about Walking Dead

Snyder ended Death Metal. It’s a thing that happened because it could, weird stuff being weird for the sake of being weird, which is what Snyder does. 

I read the second issue of Kaare Andrews’ AWA comic E-ratic, which doesn’t look anything like his Spider-Man Reign, alas. But is still a pretty good read. Just saddled with a terrible title.

Generations Shattered turned out to be classic DC storytelling straight outta the ‘90s. Which was the whole point. Is there more? Probably?

Green Hornet #5 from Dynamite featured one of several Lee Weeks covers from these two weeks, which admittedly was one of two reasons I bought it. The other being that it was written by Scott Lobdell, recently finishing up a decade at DC. The story, or at least the art, evokes the classic Batman animated series, which I assume was quite intentional, Green Hornet as a TV property spinning out of another Batman show.

We Only Find Them When They’re Dead #4 from Boom! and Al Ewing was interesting enough to justify having already ordered the fifth issue. This was a reprint. I ordered another reprint, from Chip Zdarsky’s Daredevil, in a box arriving...soonish, but passed on the new issue from this coming week. But the cat’s out of the bag: Elektra is now moonlighting as Daredevil.

Monday, June 15, 2020

Sunday Marvel Sunday - “MONDAY Marvel MONDAY!”

Sunday Marvel Sunday...on a Monday??? I know what my legions of readers are thinking: the world has officially gone well and truly mad...

That being said, I’m still waiting for libraries to reopen to bring Sunday Marvel Sunday back as regularly scheduled, but since I recently bought some additional three-pack Marvel comics at Walmart and the alphabet still works in only one direction, I’m skipping the line a bit, and here’s some comics thoughts:

Uncanny Avengers #23
From 2014
Rick Remender dropped Captain America into an alternate dimension for a little while. Apparently he did exactly the same thing to the Avengers. This issue deals with the aftermath. Apparently big traumatic things happened to some members of the team. This is the textbook example of things that can only ever be completely ignored by later writers. That is all.

Avengers #27
From 2019
Jason Aaron probably should never have been used by Marvel to produce traditional superhero comics. That is not his wheelhouse. His wheelhouse is gritty crime comics. But, as it is, Marvel did, and there was a long Thor run, and then, because he is still one of their biggest name writers, he moved on to the Avengers. And somehow this issue is highlighted...by Thor. Brood Thor. Brooding over being worthy of Mjolnr. Kids, don’t grow up someday to run a comic book company where things like this happen. In completely unrelated news, probably later this year you will read a future edition of Sunday Marvel Sunday in which I enjoy a Thor comic. And I don’t mean this to sound personal, but it will not have been written by Jason Aaron. But, all things considered, Brood Thor brooding over Mjolnr is...still a pretty awesome image. So there’s that.

Captain Marvel #6
From 2019
In which Jason Aaron’s Ragnorak, I mean “War of the Realms” is happening, and someone at Marvel is writing superhero dialogue that sounds “relatable” and “believable” and totally absolutely convincing. In unrelated news, someone at Marvel got very, very carried away with the Bendis phenomenon. And the MCU. Probably mostly the MCU. Which wouldn’t exist without Bendis. But, not everyone can pull it off. And every single character should not be talking like this all the time.

Road to Empyre
From 2020
Back in ye innocent days before the pandemic when everything was still on schedule, the latest Marvel event was going to riff on classic Marvel storytelling concerning the Kree and Skrulls, as some fans naively think is going to be the next Thanos arc in the MCU. Which maybe even the MCU thinks this? But it’s not. It’s not going to continue indefinitely. It’s not. This I guarantee you. Anyway, this issue is a recap of relevant events. It starts out with that horrible Meet the Skrulls comic that was not at all as good as the Tom King comic it desperately wanted to be. And then circles around to beloved Young Avenger Hulkling, who is either a villain now. Or not. Probably not? But possibly? But, probably not. But, temporarily. Also? Young Avenger Iron Lad already...had this arc? He’s Young Kang. Why can’t they just bring back the Young Avengers. The actual team. The original team. Anyway...

Marvel Comics #1001
From 2019
The first one was great. This one isn’t. The only page worth anything is Kaare Andrews’, which reminds me all over again how great he is. That is all.

Moon Girl and Devil Dinosaur #47
From 2019
A poster child of everything that’s wrong with Marvel’s recent efforts to be “cool” and “relevant,” in its final issue. Devil Dinosaur is one of those Marvel monsters that just kind of exists, like Fin Fang Foom. A few years ago someone thought to team him up with a hyper-intelligent little girl. Because. Reasons. The girl is hyper-intelligent in the way writers who don’t understand how intelligence works think intelligence works. She is capable of...anything. This issue revolves around how she is in fact smarter than Reed Richards. If she were a legitimate prodigy, people would have noticed. Part of the gimmick is that she and Devil Dinosaur “don’t have anyone else, but at least they have each other!” It’s “beautifully empowering.” I don’t care that she’s a black girl, it’s sloppy writing regardless of her skin color. At the end of the issue she and Devil Dinosaur are traipsing about New York. This is a Marvel comic, where the Hulk can’t so much as raise a green eyebrow without everyone freaking out. The issue has Moon Girl messing around with a Doombot. The issue has Moon Girl wondering if she should maybe be a superhero? This is published by Marvel, the House of Ideas, one of which is...Spider-Man. Moon Girl in a Marvel comic literally makes no sense at all, and I have the feeling no one pointed this out, at all, because she’s “empowering.” It would be more empowering not to empower stupid writing, and stupid characters. That is all.