via Nothing But Comics |
Since Forever Evil, I've been making an effort to get back into it. The problem hasn't been the series itself, unless you count the fact that Justice League has consistently been one of the must-read-monthly series since it debuted in 2011. What happens when you don't read monthly? Pretty much what happened to me.
What brought me back? In a word, Luthor, as in Lex Luthor, who has officially joined the team. And don't think that's been easy. I've recently read #34-36, the conclusion of the initial post-Evil arc and the start of "The Amazo Virus."
Luthor isn't the only new phase. Recent issues have included Jessica Cruz, who Johns first introduced in Green Lantern #20. Cruz is another legacy of Evil, who has gained possession of the alternate universe Power Ring's eponymous weapon, which like everything else from that reality has an evil bent. Cruz has been terrified, but has shown an ability to overcome, so to speak, great fear. She has supplanted Simon Baz as Johns' continuing link to Green Lantern lore, and the opportunity is hardly lost on him.
Interesting, at least in the pages of #34, he's also chosen to continue another legacy, the heroic alliance between Green Lantern and The Flash. Green Lantern may be in a wholly different incarnation, but Flash is once again Barry Allen. Johns tends to write the series pairing characters together in separate storylines, which was how a Green Lantern first appeared in its pages, alongside Batman (a genius combination that could really use additional exploration). That's also how Superman/Wonder Woman happened, by the way.
The issue also sees Johns collaborate, once again, with Scott Kolins, with whom he's done many Flash stories before. This was great to see, and Kolins, as always, didn't disappoint.
Wonder Woman and Luthor, Luthor and Bruce Wayne, Luthor and Owlman? Of course Lex Luthor remains hugely important to the series.
#35 sees the rivalry between Luthor and Wayne (which is all in Luthor's head, naturally) continue, with competing public speeches that further illuminate both characters. Most of the issue is about them, actually, incidentally introducing the next big arc when Luthor's fail-safe weapon is accidentally unleashed. I admit I wasn't initially interested in jumping back into Justice League at this point because I wasn't sure how interesting "Amazo Virus" would be, but eventually I realized it's a variation on a subplot from 52, which Johns worked on with Grant Morrison, Greg Rucka, and Mark Waid. It now seems that Johns may have been the spearhead behind that particular element. This version, and my love of 52 is surely well-documented, may be more interesting, even if the main benefit of the original was finally creating a Luthor/Steel rivalry.
The art for this issue is from another frequent Johns collaborator, Doug Mahnke.
#36 is the official start of the arc. Before I get to its story contents, let's just acknowledge the art, which is from Jason Fabok, who comes from a Batman background to provide dynamic new art for a series that began with Jim Lee.
I'v including two pieces of Fabok art, rather than feature Kolins or Mahnke mostly to put a definitive spotlight on Fabok, who here makes a strong case for superstar status.
via USA Today |
Johns pairs Superman and Batman (I haven't read the current Batman/Superman, so when I say that hasn't happened enough recently, that's where it's coming from), and Luthor and Wonder Woman once again, which leads to this choice exchange:
Luthor: She's a god.
Wonder Woman: Why does that sound like an insult when you say it?
Priceless, and another clear instance of Johns nailing the Amazon's perspective in ways other writers haven't even considered.
I haven't mentioned Captain Cold yet, but his scenes with Luthor across these issues are another highlight, and like Kolins another link to Johns' days writing The Flash. Every character has a purpose, and a well-defined one, in Johns' scripts, which isn't often the case when a writer is juggling a large cast, whether in a team book or otherwise. The temptation is always to just throw everyone in the same scenes and have them make random characteristic comments (this is one of my main beefs in Marvel comics). I prefer more personal depictions. Somehow Johns does that and keeps the stories big. That's why Justice League is so important.
So, very profitable return to the series for me.
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